The first retrospective in the U.S. to feature German artist Blinky Palermo (1943-1977) includes more than 60 works, most of which have never before been shown in North America. This beautifully illustrated volume spans the breadth of Palermo's brief but significant career and explores each phase, beginning with objects and paintings created shortly after he graduated from Joseph Beuys's class at the Dusseldorf Art Academy in the early 1960s and culminating with paintings he produced during his last years in both Germany and New York City. With essays by Benjamin H.D. Buchloh, Lynne Cooke, Suzanne Hudson, Susanne Küper, and James Lawrence.
More than 15 years after Italian artist Alighiero Boetti's death, 2011 marks the opening of a major international retrospective of the work of the Arte Povera master, sponsored by MoMA NY, the Tate Modern and Madrid's Reina Sofia. Adding to the new appreciation of Boetti's joyous work is this dazzling, multi-layered photo essay on the unseen story behind the making of his seminal arazzi (embroidered works). For the first time, the international web of artisans who made the arazzi comes into focus, through the work of American photographer Randi Malkin Steinberger.
Uncompromising and remarkably innovative, Bridget Riley is one of the most respected artists working today. This comprehensive survey of Riley's 40-year career, published to accompany a major exhibition at Tate Britain, London, includes key examples in lush color-plates of all phases of her work.
For 50 years Bridget Riley has been regarded as one of Britain's most important abstract artists, renowned for large paintings that feature complex, repetitive geometric shapes and undulating linear patterns. It is fascinating to discover that she sees her decidedly modern paintings as following in an Old Master pictorial tradition. This affinity stems from a lifelong passion for paintings in the National Gallery, London, with which she was first associated as a young student, and later as a Trustee and exhibiting artist.
This book celebrates the artist's long engagement with the National Gallery.
A focused, unique retrospective exhibition catalog from Berlin's Galerie Max Hetzler, this large-format book presents an exhibition curated by Bridget Riley herself, and including works from private collections and some works never before shown in Germany
Published on the occasion of the major exhibition at David Zwirner in London, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past 50 years, focusing specifically on her recurrent use of the stripe motif.